In the studio with Clarice Jensen
“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”
“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”
“…contorting timbres from the scratchings of the bow against the monster of an instrument…”
“… music is medicine for both the artist and the audience…”
“… finding sounds is like looking through a jumble sale and finding something that really catches your senses until you become slightly obsessed with it…”
“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”
“… the stigma of a performance, especially from on-stage or even from the educational theatre side, has this theme that I can’t relate to…”
“… I put a lot of focus into the sound design, atmospheric composition, and structure, […] it is the one formula that I use to make my sound audible…”
“… a tranquil and radiant place, slightly subdued in its faint hazy colors…”
“…I find it very useful to invite people to the studio, to listen ‘through their ears’… even without saying a word, you can tell if a piece works or not just by listening together with someone…”