In the studio with 4T Thieves
“… there’s no point in wasting a lot of time on a track which obviously isn’t going to work, the listeners can hear it’s not been fun to work on…”
“… there’s no point in wasting a lot of time on a track which obviously isn’t going to work, the listeners can hear it’s not been fun to work on…”
“… I do not have a concrete strategy. I would say it is more philosophy. I try to avoid too much knowledge; that way, I can keep up a playful approach…”
“… I really embrace the warbly unsteadiness of tapes, the intentional sound degradation, and focus on deeply textural stuff…”
“… what I seek is to be like an empty vase that I fill by observing and exploring…”
“… I’m looking for objects with a story, linked to various people. Every tool I keep is linked to personal memories or has had a previous life…”
“… continuous modulation of all the parameters can create incredible sounds, cover an incredible spectrum of frequencies with wide presence, dynamics, and precision…”
“… I try not to force myself or become afraid of not finding what I need. Very often things just need a bit of time and a fresh mind…”
“… the liberating quality of experimentation is still what excites me the most…”
“… we are always trying to tell a story or create a cinematic adventure or experience in our work, and sound design is a huge part of how we create mood and atmosphere…”
“… sometimes I hear something […] and I get inspired by its energy and try to find a way to approach it with my instrument…”
“… it gives me joy in making some analog sounds… it’s always a great moment for me to be away from a computer, which I already heavily rely on…”