In the studio with Grandbrothers
“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”
“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”
“… [I like] introducing new elements to a sample, giving it a whole new character and making it sound old and tired or completely removed from what it originally was…”
“… I like to work quickly and destructively […] yielding beautiful and unexpected results with a focus on these happy accidents…”
“… I used to lust after the synthesisers and samplers I read about in magazines, but now everything that comes bundled with Logic seems to be more than enough…”
“… a good instrument gives you such deep inspiration and can make you tremble with just one note…”
“… when I start working on an album, I don’t stop until it is ready… it is the only thing I think about…”
“… sounds, images, and movements are all sources of inspiration […] I work like a sculptor, but with sounds, lights and objects…”
“… I really enjoy working with organic sources of audio, finding or recording sounds, which I then start heavily processing in unusual ways…”
“… my role as a performer fulfils me completely […] I don’t feel any frustration in playing other people’s music, I find it a total field of expression…”
“… I’ve always been interested in what gives a piece of music emotional content, which for me derives from harmony as well as melody…”
“… I’ve become immensely enthusiastic about emotional embodiment… I’d like to evoke specific feelings in the audience during the listening sessions…”